第十八屆澳門城市藝穗節節目
The 18th Macao City Fringe Festival Programme
多媒體舞蹈劇場《靜默・移轉》
Multimedia Dance Theater - Tranquillity Transmission
．
地點 Venue
At Light
日期 Date
2019.1.18 | 20:00
2019.1.19 | 17:30
2019.1.20 | 17:30＊
＊提供粵語口述影像服務 Audio description service is available
長度 Duration
約六十分鐘（不設中場休息）approximately 1 hour
對象
適合6歲或以上觀眾 Suitable for people aged 6+
在自然的定律中，疾病逐漸侵蝕身體，生命的消逝如影隨形。
法國人類學家艾希提耶（Françoise Héritier）在過世前寫了一本小書《生命中的鹽》（Le Sel de la vie），開始於她寫給醫生的回信，然後一發不可收拾，成了一份生命清單。
是次作品聯合本地錄像工作者梁祖賢，專注於進行「生命移轉」現場繪畫的紐約藝術家Morgan O’Hara，以及舞者張楚誠，展開一場對「消逝」、「殘缺」之生命本質的探索。那是對消逝的追思，也是對留下的印證。
According to the laws of nature, disease gradually erodes the body and life fades away little by little. A few years before her death, French anthropologist Françoise Héritier wrote The Sweetness of Life. The book starts with a letter the author sent to her doctor and then became a long list of everyday reasons that make life worth living.
Local video artist Joein Leong and dancer Oscar Cheong, will join hands with American artist Morgan O’Hara, who is renowned for her “live transmission” drawing, to explore the meaning of disappearance and incompletion of life. It is a recollection of what has disappeared and a testimony of what is gone.
創作人的話 Remarks from Artists
李銳俊 J Lei
導演及編舞 Director and Choreography
給那些我和你一起的晚上
「認清世間一切現象都是無常的事實，就能完成內心世界的真正平安。 」
──聖嚴法師
嘗試重組各種蛛絲馬跡，所有你喜愛的。
這是有關，我們遲早都會遺忘的，那些看似微不足道的東西，身體，感覺，文字，動作，氣息，日常內容，行走，梳頭，穿衣，拿東西，轉動手指。是你和我僅有的所有。
嘗試同一個動作在不同層位中，質感的延伸。嘗試建立規律、內在節奏，來對抗無常、變異、扭曲的逆襲。
這是有關，恐懼，無助，不安，甚至時而，絕望。不太依靠向外尋找依靠的力量。向內找中線，center center，tranquille。
思念是一種密度很高的節奏。生怕過於用力，但又怎樣都不夠。
當身體不再任由自己，當到處充滿限制，更想從中找出自由，找到力量的滲透。即使每動一個指頭都要使上全身力氣，即使那些都是人們肉眼無法看見的。幻想一起變成空氣中的一個點，微妙，靈巧，毫不費力地，快速移動。想要記住的，是動作與動作之間的狀態。感謝Oscar盡力把一切銘刻在身體裡。
把微笑放在語言中，然後語言消失。擁抱聲音、光線，擁抱地板、線條，感謝Joein帶來純粹的、純樸的內在。
感謝Morgan的到來，使一切留下美麗的痕跡。
感謝At Light 這個場地和它的經營者們，讓這裡一切都有光。
最後，感謝Mandy送上無比珍貴的10分鐘，讓我們能來到，故事開始的那一天。
我們相遇，也遇見每一個人的那天。
To those nights you and I have spent together.
“Clearly see that everything in the world is impermanent, and you can realize the inner world of true peace. ” Master Sheng Yen
Try to reorganize all types of clues, all those you love.
It is about things that we will forget sooner or later, things that seem to be insignificant. Body, feelings, words, movements, breaths, daily routines, walks, combing, dressing, taking stuff, twisting fingers: these are the only things between you and I.
Try to repeat the same movement in different layers, extending its quality. Try to establish a disciplinary, internal rhythm to fend off the random, mutated and distorted counterattacks.
It is about fear, helplessness, anxiety, and even sometimes despair, not relying on the outside world for power but looking for the equilibrium—center center, tranquille—in the inner world.
A wistful longing has a highly dense rhythm. There are worries of being inadequate despite how hard you’ve tried.
When the body is beyond the control of oneself, when there are restrains everywhere, one is more eager to strive for freedom and search for the power penetration, albeit it takes every effort to move a finger while all these efforts are invisible to the naked eye. Imagine becoming a point in the air—subtle, agile, effortless and fast moving. All you want to remember is the state between each movement. Thanks Oscar for striving his best to imprint everything in his body.
Incorporate smiles into a language, which then disappears. Embrace sounds, lights, floor and lines.
Thanks Joein for her pureness and unpretentiousness.
Thanks Morgan for coming here and leaving behind these beautiful marks.
Thanks At Light and the people running this venue. Let light shine on everything here.
At last, thanks Mandy for the precious 10 minutes, allowing us to come together at the day when the story begins. The day when we meet each person.
梁祖賢 Joein Leong
錄像創作 Video Creation
呼吸之下
光影之間
印象感受回憶思念
我們之間沒有語言
語言也不足以表達
是消逝
是一直都在
光一直都在
Under breath
Between light and shadow
Impression, feeling, memory, longing
There is no language between us
Language is inadequate to express
Disappearance
It has always been here
Light has always been here
張楚誠 Oscar Cheong
舞者 Dancer
腳尖，腳底、膝、髖，前行，呼吸
腹、胸、肩、臂、手掌、手指，移動，停止。
我意圖著力專注身體每個瞬間的變化、似是手拿放大鏡在每個當下檢視自己，越著力地看，越是捉摸不實。仿佛對准焦距的一刻已注定失距，身體、事、物的移動速度比想像中來得快。
當我以為自己可以更加了解自己的時候，忘了世界的法則。
Toes, soles, knees, hips, march forward and breathe.
Belly, chest, shoulders, arms, palms, fingers, move and stop.
I’ve intended to focus on every change of my body, as if putting myself under a microscope at every moment. The harder I try to focus and see, the less I get grasp of. It is seemingly destined to be lost in focus at the moment when it is under scrutiny: the actual moving pace of body, things and objects is much faster than imagined.
When I thought I could learn more about myself, I forgot the principles of the world.
鄭志偉 Chiwai Cheang @心聲悶
平面設計 Graphic Design
這次想高調將平面設計作為表演的其中一個成員。
海報就是我的舞台，空間就是一張白紙中被框住的盒子。抽出演出所有元素，生命、泥堆（《生命中的鹽》Le Sel de la Vie）、觸感、毛邊、手寫及輕微偏移。場景是主軸，抽象線條作舞者，符號是發生中的細節。
我模仿了表演的美國藝術家摩根．歐哈拉（Morgan O’Hara ），邂逅了她潛意識的線條創作，然後我把工作時熒幕滑鼠的軌跡紀錄下來，線條中有我在創作時的痕跡，在中間作放射狀，在感受共通的東西時，直觀地想觀看者感受到我的存在。
於是我認真地寫下了創作概念。
This time I highly emphasized that graphic design is part of the performance.
Poster is my stage, and the space is a box framed in a white paper. When all the performing elements are extracted—life, mud (Le Sel de la Vie), touching, burr, handwriting, and slight adjustment—the scene is the main axis, the abstract lines are the dancer, and the symbols are details of the performance.
I mimicked the performance of American artist Morgan O'Hara, the line creation that resembles her subconscious. I recorded the trajectory of my cursor on a computer screen during work. These lines are the marks of my creation, radial in the middle, and directly lead the audience’s attention to my presence when they share the same feelings.
Thus, I conscientiously wrote down the concept of my creation.
關於創作人 About Artists
特邀藝術家 Specially Invited Artist
Morgan O’Hara（摩根．歐哈拉）
1941年出生於洛杉磯，Morgan O’Hara是國際知名的藝術家和教育家。 她於35歲那年，開始從事心理學工作，並攻讀創造心理學博士學位課程，隨後結合其心理學與藝術的背景，開始教授相關課程。
在過去三十五年，她在全球推動了多場有關創造心理學的實驗研討會，參與了多個國際駐留計劃，並獲多個基金會頒發獎學金與獎項，包括Pollock-Krasner、Gottlieb、Leon Levy、David and Rosamond Putnam及Milton and Sally Avery等基金會。在過去四十年，她的藝術作品多次在全球各地的個展中展出，包括2005年於澳門藝術博物館舉行展覽。她現時於紐約生活和工作。
Born in 1941 in Los Angeles, Morgan O’Hara is an internationally recognized artist and educator. At the age of thirty-five, O’Hara pursued a career in psychology and began a doctorate in the process of creativity. Eventually, she began teaching classes incorporating her background in art.
For the past thirty-five years she has led experimental seminars worldwide in the psychology of creativity. O’Hara has participated in many international residencies and is a recipient of numerous grants and awards from the Pollock- Krasner, Gottlieb, Leon Levy, David and Rosamond Putnam and the Milton and Sally Avery foundations. For the past forty years her artwork has been the subject of numerous solo exhibitions internationally, including at the Macau Museum of Art in 2005. O’Hara lives and works in New York.
李銳俊 （阿J）J Lei
澳門人，曾為石頭公社及婆仔屋藝術空間（牛房倉庫OX Warehouse）創始成員，從事劇場創作、策劃、教育、文字寫作及編輯等工作，並發表多個舞蹈劇場、環境劇場作品。
A Macao resident. Founding member of Comuna de Pedra and Old Ladies' House Art Space (Ox Warehouse). She now engages in various fields, including theatre creation, planning, education, writing and editing, and has produced numerous dance theatre and site-specific theatre works.
梁祖賢 Joein LEONG
她善於利用其纖細的女性觸覺創作，試探不同領域，包括錄像、攝影、設計、陶藝及填詞，療己療人。自2008年起參展，作品曾於中國、韓國、台灣、香港、澳門展出。
She promotes a sensitive and delicate female perspective in her works while explores different realms like video, photography, design, pottery and lyrics creation in her own right, trying to discover solace for herself and others. Joein’s works have been showcased in various exhibitions in China, Korea, Taiwan, Hong Kong and Macao.
鄭志偉 Chiwai Cheang
全職笨蛋，兼職平面設計師，在 SomethingMoon 做設計。有時也會寫字、策展、出版。
Part-time graphic designer, full-time idiot. Works at Somethingmoon Design, sometimes a writer, curator or publisher.
張楚誠 Oscar Cheong
澳門石頭公社及梳打埠實驗工場成員。 表演藝術工作者。自2006年參與第一個演出起，以演員、編創及統籌等身份遊走於不同的演出之中。
Member of Comuna de Pedra and Soda-City Experimental Workshop. A performing artist. Since the first performance in 2006, he has participated in numerous performances in different roles, including actor, creator and coordinator.
文章選段 Selected Quotes
生命中的鹽 Le Sel de la vie
艾希提耶 Françoise Héritier
喜歡深沉或猶豫或清晰或低啞或熱情或充滿笑意或溫柔的聲音，然後賦予每個聲音一個外貎和一個永恆的年紀。
因為四十這個數字傳遞的明確信念而憂心忡忡，因為一點芝麻小事而害怕。
在心裡對自己說話，忠實保留自己對於曾經愛過的那些人的某些想法。
總之，我給您一些線索，說不定二十年後會有人向您問起我是怎樣的人。
家族聚餐或是朋友聚餐，吧台上的啤酒，紅酒和白酒，陽光下的咖啡，樹蔭下的午睡，涼爽的秋夜無比幸福的感覺，日落，在所有人都睡著的夜裡醒來，逗貓咪玩，漫不經心地點一根菸，跳舞，探索陌生的城市，講冷笑話，做一道複雜的菜，反覆咀嚼同一個想法，把腦袋放空，安靜的時刻和孤獨的時刻，街上傳來牛角麵包熱騰騰的香氣，心照不宣的眨眼，吃冰淇淋或巧克力，有人在看您的時候，有人聽您說話的時候，覺得自己動作敏捷、腳步輕盈的時候，早上睡到自然醒，跟幾百年沒見的老友重逢，專心聆聽別人說話……
Fall in love with a deep, hesitant, crystal clear, hoarse, passionate, full of laughter, or gentle voice. Then imagine an appearance for each voice and give it an eternal age.
Distressed because of the perspicuous faith embodied in the number 40. Being scared of simple little things.
Talk to yourself in your mind, and preserve your thoughts frankly about the people that you have once fallen in love with.
Anyway, I give you some clues. Perhaps someone will ask you about what kind of a person I am twenty years later.
A gathering with family or friends, beers, red wines and white wines on a bar stool, a coffee under the sun, a nap under the tree, the feeling of intense happiness on a cool autumn night, a sunset, waking up at night when everyone is sleeping, playing with cats, lighting a cigarette casually, dancing, exploring an unfamiliar city, making lame jokes, making a difficult dish, chewing over a same idea, emptying your mind, a tranquil moment alone, the smell of freshly-baked croissant at street, a tactful wink, eating ice-cream or chocolate, when someone is looking at you, when someone is listening to you, moving with agility and walking with light feet, sleeping in, meeting with friends that you have not seen for a long time, listening attentively to others…
音樂 Music
| 曲目 Songs | 專輯 Albums | 年份 Year |
|---|---|---|
| Disintegration | Ryuichi Sakamoto from “Async” | 2017 |
| Ubi | Ryuichi Sakamoto from Async | 2017 |
| Async | Ryuichi Sakamoto from “Async” | 2017 |
| Tri | Ryuichi Sakamoto from “Async” | 2017 |
| Fullmoon | Ryuichi Sakamoto from “Async” | 2017 |
| 獨白 monologue | 摘自《生命中的鹽》Excerpt From 《Le Sel De La Vie》 | |
| I’ll see you in my dreams | 弗萊卻韓德森大樂團 Fletcher Henderson and His Orchestra | 1925 |
| Going Home | 現場錄音 Live recording From Paris | 2018 |
《Fullmoon》
獨白 monologue
《Fullmoon》的誦讀來自已故美國作家Paul Bowles的小說《The Sheltering Sky》，貝托魯奇電影《The Sheltering Sky》結尾中由作家本人親自讀出，坂本龍一運用這段電影原聲片段，再以十種不同語言作出獨白。
The recitation of Fullmoon originates from The Shletering Sky by late US author Paul Bowles. In the movie version of The Shletering Sky by Bernardo Bertolucci, Bowles recites Fullmoon by himself in the end scene. Ryuichi Sakamoto then uses the movie recording to make a monologue in ten different languages.
我們所痛恨的就是如此可怕的准確性
但因為我們不知道死亡何時到達
所以會把生命當成一座永不干枯的井
然而，所有事物都只出現一定的次數，並且很少，真的
你會想起多少次童年中
某個特定的下午
某個深深成為你生命一部分的下午
如果沒有它，你甚至無法想像自己的人生
也許，四或五次吧
甚至可能沒這麼多
你會看到滿月升起幾次呢?
也許20次，然而這些都看似無窮
Because we don't know when we will die
We get to think of life as an inexhaustible well
Yet everything happens only a certain number of times
And a very small number, really
How many more times will you remember a certain afternoon of your childhood
Some afternoon that is so deeply a part of your being that you can't even conceive your life without it?
Perhaps four or five times more
Perhaps not even that
How many more times will you watch the full moon rise?
Perhaps twenty, and yet it all seems limitless
關於劇場口述影像 About Theatre Audio Description
「口述影像」將視覺資訊轉化成語言，如表演者的肢體動作、表情、服飾造型，及至佈景道具、燈光變化等，通過口語方式、以有條理的描述，具體地建構畫面，讓非以視覺為先的觀眾，同步感受與欣賞表演藝術，達至藝術無障礙。
Audio description transforms the visual information into words, for instance, the body movement, facial expression, clothing and style of performers, as well as the stage set, props, changes of lighting and others, are coherently described and detailedly explained in a verbal manner.
This allows the audience, who might be less sensitive to visual cues, could enjoy and appreciate the performance in the same way as others, making art accessible to everyone.
「口述影像員」簡介 About Audio Descriptor
Sandy LAO
自2013年開始接觸口述影像，為本澳最早接受口述影像培圳人員之一。
Sandy 一直利用工餘時間，為本澳不同劇場演出、展覽及電影等，提供口述影像服務；此外，透過持續進修不同領域之藝術通達服務，如通達字幕（Accessible Captions）、易讀圖文製作（Easy-read）等，為不同光譜的通達服務使用者，提供更多平等、具尊嚴的方式，參與及共享藝術。
First knowing about audio description in 2013, she is one of the first audio description trainees in Macao.
Sandy provides audio description services for different theatre performances, exhibitions, and films in Macao in her leisure time. Besides, she continues to learn about different areas of art accessibility services, such as accessible captions and easy-read, in bid to serve different types of art accessibility service users. This offers more fair, dignified means for people to participate in and share art.
創作及製作團隊 Artistic & Production Team List
導演及編舞 Director and Choreography
李銳俊 J Lei
舞者 Dancer
張楚誠 Oscar Cheong
現場繪畫 Live Transmission
Morgan O’Hara （美國 U.S.）
錄像創作 Video Creation
梁祖賢 Joein Leong
平面設計 Graphic Design
鄭志偉 Chiwai Cheang@SomethingMoon
攝影 Photography
LEI Pui Cheng
錄像記錄 Video Recording
黃敬騰 Benz WONG
Simmy CHEONG
口述影像員 Audio Descriptor
Sandy LAO
技術統籌及執行 Technical Coordination and Execution
馮鎮業FONG Chan Ip@米製作 Miis Poduction
助理舞台監督 Assistant Stage Manager
廖凙禧 LIO CHAK HEI
行政 Administration
葉穎雯 Mandy IP
製作 Production
主辦 Organizers
鳴謝 Special Thanks
At Light、Cora、Joey、子嬰 （Anson NG）、AV Depot、Trista Choi